翻訳と辞書 Words near each other ・ Michel Stoffel ・ Michel Stollsteiner ・ Michel Strauss ・ Michel Strogoff (1926 film) ・ Michel Strogoff (film) ・ Michel Sturdza ・ Michel Subor ・ Michel Suleiman ・ Michel Suret-Canale ・ Michel Szulc-Krzyzanowski ・ Michel Sénéchal ・ Michel T. Halbouty ・ Michel Tabachnik ・ Michel Talagrand ・ Michel Tamarati ・ Michel Tapié ・ Michel Tardieu ・ Michel Tcherevkoff ・ Michel Tellier ・ Michel Teló ・ Michel Teló discography ・ Michel Temer ・ Michel Ter-Pogossian ・ Michel Ternest ・ Michel Terrot ・ Michel Teston ・ Michel Teychenné ・ Michel Therrien ・ Michel Thiollière ・ Michel Thomas Dictionary Lists mini英和辞書 mini和英辞書 Webster 1913 Latin-English FOLDOC Wikipedia English ウィキペディア

翻訳と辞書　辞書検索 [ 開発暫定版 ] スポンサード リンク Michel Tapié ： ウィキペディア英語版 Michel Tapié Michel Tapié (Michel Tapié de Céleyran, 26 February 1909 – 30 July 1987) was an internationally active French critic, curator, and collector of art. He was an early and influential theorist and practitioner of "tachisme", which is generally regarded as the European equivalent of abstract expressionism. Tapié was from an old and aristocratic French family; he was also a second cousin once removed ("petit-cousin") of the painter Henri de Toulouse-Lautrec (the painter's mother Adèle Tapié de Celeyran was his great-aunt). ==Art of another kind== Michel Tapié's 1952 book (sometimes referred to and anthologized as an "essay") entitled ''Un art autre'', most commonly rendered in English as "Art of Another Kind", was immensely influential in establishing a European approach to and embrace of what in the U.S. is generally termed abstract expressionism, and especially the subgenres of action painting and lyrical abstraction. Herschel B. Chipp's ''Theories of Modern Art: a Source Book for Artists and Critics'' (1968; see list of references below), includes an English translation of an extensive portion of that work (pp. 603–605). "L'art Informel" was Tapié's general term for art reflecting the sensibility described in this manifesto. According to the Guggenheim Collection's art-historical glossary entry on "l'art informel" (see External links), Tapié, in his 1952 book, "was trying to define a tendency in postwar European painting that he saw as a radical break with all traditional notions of order and composition —including those of Modernism.... He used the term Art Informel (from the French ''informe'', meaning unformed or formless) to refer to the antigeometric, antinaturalistic, and nonfigurative formal preoccupations of these artists, stressing their pursuit of spontaneity, looseness of form, and the irrational.... Artists who became associated with Art Informel include Enrico Donati, Lucio Fontana, Agenore Fabbri, Alberto Burri, Asger Jorn, Emil Schumacher, Kazuo Shiraga, Antoni Tàpies, and Jiro Yoshihara."〔(【引用サイトリンク】title=Art Informel )〕 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Michel Tapié」の詳細全文を読む スポンサード リンク 翻訳と辞書 : 翻訳のためのインターネットリソース Copyright(C) kotoba.ne.jp 1997-2016. All Rights Reserved.